Pottery Workshop

With James Newbold & Liz Hunter

Past retreat

In this exciting pottery workshop you will experience the thrill of making and firing a variety of ceramic pieces exploring various construction and decorative techniques.

James Newbold and Liz Hunter Ceramics

Pottery Workshop

Illustrated workshop building at Court House Farm Illustrated clipped topiary tree Illustrated stable range at Court House Farm Illustrated garden tree

The retreat

Your time at the Manor

Day by day

  • Skill level All levels welcome

In this exciting pottery workshop you will experience the thrill of making and firing a variety of ceramic pieces exploring various construction and decorative techniques. With husband and wife team James and Liz as your experienced guides, and the magnificent barns and cowshed of Court House Farm as your studio, you will explore hand building and throwing techniques to construct different vessels, platters and small sculptural forms.

You will experiment with the playful possibilities of painterly surface decoration including sgraffito, monoprint and various glazes to add colour, pattern and texture to your work. We will take inspiration from the beautiful surroundings of the manor house and gardens, as well as investigating the local coastal landscape as a source of reference.

The workshop will culminate in an outdoor firing in a specially built gas fired Raku kiln in the courtyard. Choose from a wide range of beautiful raku glazes to finish your work and witness the excitement and alchemy of the ancient Raku process where pieces are removed from the heat of the kiln and plunged into organic matter creating beautiful, unpredictable and totally unique results.

What's included

  • Fully catered, chef prepared meals: breakfast, lunch, afternoon tea and dinner with selected wines and all refreshments.
  • Daily guided mindfulness sessions or low key yoga! (optional)
  • Inspiring and engaging talks from History of Art professional
  • Flower Picking and Arranging in our beautiful flower garden
  • Fulfilling conversation with like-minded individuals
  • A local visit or two to a nearby gallery, cultural spots - Brunels suspension bridge, and / or the nearby Clevedon Pier- the prettiest in England!
  • Time to potter to the shops, Marina and walk to the nearby estuary to see the beautiful sunsets.

What to bring & other costs

As a residential guest, expect delicious fresh food created by our wonderful chef Kirstie, as well as tea, coffee and more throughout the day, and the bar is open for you from 6pm.

James Newbold and Liz Hunter Ceramics

James Newbold & Liz Hunter

Your tutor

Good company.

Expert guidance.

James is a ceramic artist and teacher specialising in alternative firing techniques. With over 40 years of experience both as a maker and a teacher, and a fascination with fire, he has a wealth of knowledge of throwing, glazing and firing.

James’s work combines throwing and hand building techniques to explore his fascination with organic forms and the dramatic contrast between surfaces. He takes inspiration from the natural world, largely rock, shell and mineral formations, weather patterns and the elemental forces of nature, with the effects of heat and smoke on the materials he uses being central to his timeless aesthetic. The simplicity of his forms allow the dramatic contrast in tactile and visual qualities of surfaces to come to the fore. The occasional pinched, pulled, or torn element further reveals the intrinsic malleable qualities of the clay body, and the hand made nature of the piece. Specialising in a unique four part firing technique, he has built a range of firing chambers on order to perfect his distinctive finish

James trained in ceramics and 3D design at Loughborough University after which he sold most of his degree collection to Liberty's of London. He taught ceramics for 34 years and now produces work in his small studio in Bristol.

Liz is a painter, printmaker and art and ceramics teacher. She works in a variety of media including oil, mixed media, collage, geli print, and clay. Her work is inspired by the forms, textures and colours of landscapes and coastal areas. She works from photos, drawings and memories of places she visits, using gestural mark making to express something of her experience. The ever changing weather and atmosphere are a constant fascination and her large scale paintings often feature wild, mountainous places where she tries to capture a dynamic sense of these vast, largely untouched and potentially hostile domains. Her abstract print making and collages use shapes, contours and textures gathered from journeys like stones and shells gathered on a beach; Walks taken become lines through the page, views and glances pondered are overlayed on each other and merge to create multiple perspectives, sometimes dramatic, sometimes gentle. Liz studied Ecology at UEA and she continues to be interested in the natural world and our place in it. She works as a secondary art and ceramics teacher alongside producing her own work.

James and Liz 's work complements each other and they are now working on collaborative projects together. They divide their time between Bristol and their workshop set up in the barn at their rural farmhouse in the Pyrenees mountains in France. The energy and drama of this rich mountain wilderness provides much inspiration and a beautifully tranquil setting in which to work.

In their own words

Hear it from our guests

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Pottery Workshop

Past retreat

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Life at Court House Farm

The spaces between

the making.

A bedroom at the Manor

Rooms with a story.

Characterful bedrooms in the medieval and Tudor manor houses, each furnished with vintage finds and rich fabrics.

A shared table at Court House Farm

A place at the table.

Resident chef Kirstie cooks seasonal, generous meals to bring everyone together at the end of each studio day.

The gardens at Court House Farm

Gardens to wander.

Walled gardens, the orchard and quiet corners for sketching, reading or doing nothing at all between sessions.

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