Past retreat
In this exciting pottery workshop you will experience the thrill of making and firing a variety of ceramic pieces exploring various construction and decorative techniques.

Pottery Workshop

The retreat
In this exciting pottery workshop you will experience the thrill of making and firing a variety of ceramic pieces exploring various construction and decorative techniques. With husband and wife team James and Liz as your experienced guides, and the magnificent barns and cowshed of Court House Farm as your studio, you will explore hand building and throwing techniques to construct different vessels, platters and small sculptural forms.
You will experiment with the playful possibilities of painterly surface decoration including sgraffito, monoprint and various glazes to add colour, pattern and texture to your work. We will take inspiration from the beautiful surroundings of the manor house and gardens, as well as investigating the local coastal landscape as a source of reference.
The workshop will culminate in an outdoor firing in a specially built gas fired Raku kiln in the courtyard. Choose from a wide range of beautiful raku glazes to finish your work and witness the excitement and alchemy of the ancient Raku process where pieces are removed from the heat of the kiln and plunged into organic matter creating beautiful, unpredictable and totally unique results.
As a residential guest, expect delicious fresh food created by our wonderful chef Kirstie, as well as tea, coffee and more throughout the day, and the bar is open for you from 6pm.

James Newbold & Liz Hunter
Your tutor
James is a ceramic artist and teacher specialising in alternative firing techniques. With over 40 years of experience both as a maker and a teacher, and a fascination with fire, he has a wealth of knowledge of throwing, glazing and firing.
James’s work combines throwing and hand building techniques to explore his fascination with organic forms and the dramatic contrast between surfaces. He takes inspiration from the natural world, largely rock, shell and mineral formations, weather patterns and the elemental forces of nature, with the effects of heat and smoke on the materials he uses being central to his timeless aesthetic. The simplicity of his forms allow the dramatic contrast in tactile and visual qualities of surfaces to come to the fore. The occasional pinched, pulled, or torn element further reveals the intrinsic malleable qualities of the clay body, and the hand made nature of the piece. Specialising in a unique four part firing technique, he has built a range of firing chambers on order to perfect his distinctive finish
James trained in ceramics and 3D design at Loughborough University after which he sold most of his degree collection to Liberty's of London. He taught ceramics for 34 years and now produces work in his small studio in Bristol.
Liz is a painter, printmaker and art and ceramics teacher. She works in a variety of media including oil, mixed media, collage, geli print, and clay. Her work is inspired by the forms, textures and colours of landscapes and coastal areas. She works from photos, drawings and memories of places she visits, using gestural mark making to express something of her experience. The ever changing weather and atmosphere are a constant fascination and her large scale paintings often feature wild, mountainous places where she tries to capture a dynamic sense of these vast, largely untouched and potentially hostile domains. Her abstract print making and collages use shapes, contours and textures gathered from journeys like stones and shells gathered on a beach; Walks taken become lines through the page, views and glances pondered are overlayed on each other and merge to create multiple perspectives, sometimes dramatic, sometimes gentle. Liz studied Ecology at UEA and she continues to be interested in the natural world and our place in it. She works as a secondary art and ceramics teacher alongside producing her own work.
James and Liz 's work complements each other and they are now working on collaborative projects together. They divide their time between Bristol and their workshop set up in the barn at their rural farmhouse in the Pyrenees mountains in France. The energy and drama of this rich mountain wilderness provides much inspiration and a beautifully tranquil setting in which to work.
In their own words
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Past retreat
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Life at Court House Farm

Characterful bedrooms in the medieval and Tudor manor houses, each furnished with vintage finds and rich fabrics.

Resident chef Kirstie cooks seasonal, generous meals to bring everyone together at the end of each studio day.

Walled gardens, the orchard and quiet corners for sketching, reading or doing nothing at all between sessions.
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